Such a big and interesting topic! You can see an outline history here.
I am of course prompted by ABC screening Samson and Delilah (2009) last night.
Almost unprecedented was the unanimous five stars from Margaret and David on The Movie Show earlier this year! I can see what they meant, but in many ways it isn’t an easy movie to watch. I suspect it also needs to be watched more than once, but I think I do get where the Biblical allusion fits in. Pretty savage about the commercialisation of Indigenous art too.
The “behind the movie” documentary screens on Thursday night.
By coincidence I had borrowed a 1954 documentary from Surry Hills Library: The Back of Beyond. It is impressive in its way, but there is a bit much fakery for my taste, though it was part of the documentary style of the time, and it is relentless in the “hearts of gold” department to the point of propaganda rather than revelation. Still, it is well worth watching. Poets Douglas Stewart and Roland Robinson had a hand in the script, which rhymes from time to time.
…Shell’s [the oil company] interest in the story of the Birdsville Track is linked to the importance of the postal and telecommunications industry and the development of infrastructure. In this way it shares similarities with the British documentary Night Mail (1936) directed twenty years earlier for the British GPO Film Unit by the ‘father of the documentary movement’ in Britain, John Grierson. Night Mail, like The Back of Beyond, used symbolic imagery, a poetic ‘voice-of-God’ narration, and a mail route to project its message of nation building. But also, like Night Mail, The Back of Beyond has outgrown its beginnings as a product of corporate or private enterprise and continues to resonate today.
The Back of Beyond won the prestigious Grand Prix Assoluto at the Venice Film Festival, the overall prize for the best film across all catagories. It won awards at five international film festivals. Locally it was a hit as well. Some 750,000 people saw the film within the first two years of its release…
The “dying race” view of the Aboriginal was alive and well in 1954.