Dante’s Cove 2 (2007 DVD)
I watched just 15 minutes of this heap of crap. If one was drunk or drugged and with friends it may work. Fortunately my copy was free, thanks to Surry Hills Library.
Julian Halls, The Museum, Hobart, Knocklofty Press 2008.
This gets two rather dismissive lines on SameSame.com.
Halls’s strength as a comic author lies in his sharp, crisp and snappy lines. Unfortunately, the novel sounds like a guidebook in places, and a boring one at that. This probably explains why the Tasmanian government gave the project its support.
I agree about the “sharp, crisp and snappy lines” but was certainly not bored. In fact I found the novel hilarious.
It is indeed “old-fashioned”, as the publisher says.
This is a most unfashionable book: it’s funny, it’s well written and constructed — and it has a happy ending.
It’s that rarest of things in an increasingly sad and troubled world: a comic novel, a genre which has almost disappeared under the weight of political correctness, post-modernist claptrap and the self-regarding seriousness of far too many authors.
Julian Halls has created an unlikely assortment of oddball characters — and they’re all people we’ve met or close to it — and placed them in and around a mouldering, half-forgotten regional museum in Tasmania.
The complex main plot concerns the relationships between two same-sex couples, one male, one female, and the whole thing is set in motion by a blowfly; it gets even more bizarre after that, although it’s never incredible—just like real life. Several curious sub-plots emerge and they are skillfully woven into a surprising conclusion…
The museum itself reminded me of the Australian Museum in Sydney in the 1950s, even down to the enormous whale skeleton in the entrance hall. Its sudden descent begins the series of crazy events. You can tell Halls cut his teeth in theatre – the novel is nothing if not a farce, but a pungent one.
The artist Benjamin Duterrau (1767-1851) is an important element in the plot.
Duterrau, “The Conciliation” 1840. Click on pic for more.
I liked this book.
J G Ballard, Millennium People, London, Flamingo 2003
Ballard’s Empire of the Sun is one of my favourite books, and the 1987-8 Spielberg movie of it one of my favourite movies. Millennium People is a dark comedy whose targets include the romanticism of revolution, the mindless violence of events such as 9/11, and the sacred cows of the middle class on England – though there may well be a degree of endorsement of the latter.
One could also add, with this very perceptive profile in a source I don’t often agree with, that another target is the reader who, given Ballard’s profile, is probably in that same middle class. Joane McNeill writes:
In Ballard’s slapstick satire Millennium People (2003), the bourgeois residents of a gated community commit terrorist acts. They riot, clash with police, and bomb upper-middle-class establishments such as the Royal Albert Hall and the Victoria and Albert Museum. What are they protesting? “Double yellow lines, school fees, maintenance charges…cheap holidays, over-priced housing, educations that no longer buy security.” They are rebelling against, in one character’s words, “the barriers set out by the system. Try getting drunk at a school speech day, or making a mildly racist joke at a charity dinner. Try letting your garden grow and not painting your house for a few weeks.”
Like most of Ballard’s fiction from the last 20 years, Millennium People uses the framework of a middlebrow English novel as a way to parody the reader. For Ballard, as he explained to Salon in 1997, the novel is “the greatest enemy of truth and honesty that was ever invented. It’s a vast, sentimentalizing structure that reassures the reader and at every point offers the comfort of secure moral frameworks and recognizable characters. This whole notion was advanced by Mary McCarthy and many others years ago, that the main function of the novel was to carry out a kind of moral criticism of life. But the writer has no business making moral judgments or trying to set himself up as a one-man or one-woman magistrate’s court. I think it’s far better, as Burroughs did and I’ve tried to do in my small way, to tell the truth.”
I have his last book, Miracles of Life (2008), in line for reading. Millennium People joins my 2009 top reads.