Left: “Ahmed” takes “Norm” to a Pakistani Restaurant
Right: the opening scene of Shafana and Aunt Sarrinah
Pics from the Alex Buzo Company blog linked above.
Of her new play Alana Valentine writes:
I hope Shafana and Aunt Sarrinah will surprise audiences with its portrait of Afghani Muslim women, who are articulate, highly educated, deeply spiritual and enraged by the way Australian and global media paint them as oppressed, meek and silent. To be part of a project where Buzo’s theme and concerns might be reignited through a new work…is genuinely exciting. In effect, it allows the ‘conversation’ to move into a third dimension: not just Buzo speaking anew to the 21st Century, but Buzo reflected and responded to through the voice of a contemporary playwright. It’s a vision of Australian theatre as a historical continuum…
Alana’s plays are always grounded in in depth research and interviews with the groups she is representing; that depth came through in last night’s performance which both Sirdan and I found very thought-provoking. The issue is whether or not Shafana should wear hijab. She eventually decides she will, even if Aunt Sarrinah, whom she dearly loves, is somewhat appalled by that decision. The play takes us beyond our often mind-numbingly dreadful understanding (if that is the right word) of the issues Australian Muslim women face and that we face in our response to them. A valuable exercise well dramatised, if, I thought, just a bit slow off the mark at the beginning.
As for Norm and Ahmed I agree with the woman sitting next to me in the theatre: “the more things change the more they stay the same.” Sirdan was born in Zimbabwe (Rhodesia at the time) but could well relate to Norm and Ahmed – for him it was, unlike for me, as new as Shafana and Aunt Sarrinah. He agreed that the contemporary relevance of this forty-year-old play was quite amazing.
A thoroughly good night out.
By coincidence, my mind still on Alana’s play especially, I read a truly excellent article in this morning’s Australian: From a human to a terrorist by Sally Neighbour.
… The perplexing question is: Why? How does a seemingly ordinary young man come to embrace violent extremism? Its corollary, the question that confounds counter-terrorism experts worldwide, is: how can we stop them?
The rapidly morphing nature of global terrorism demands an evolving response. Since 9/11, Osama bin Laden’s al-Qa’ida has diminished but its ideology has flourished, spawning hundreds of like-minded groups and cells across the world. US terrorism specialist Marc Sageman describes this new phenomenon as a "violent Islamist born-again social movement" straddling the globe. Its fragmented and anarchic nature makes it arguably a bigger threat than al-Qa’ida, according to Britain’s Strategy for Countering International Terrorism, unveiled in March this year. Unlike the once highly centralised al-Qa’ida, the new grassroots terrorism cannot be fought with border protection measures or military strikes, but must be tackled at its roots.
This reality has spawned a new buzzword in the anti-terrorism fraternity: counter-radicalisation. Its aim, in Sageman’s words, is to "stop the process of radicalisation before it reaches its violent end"…
Sageman, the pre-eminent expert on radicalisation theory, is a former CIA mujaheddin handler in Pakistan, now a psychologist and author of two books, Understanding Terror Networks and Leaderless Jihad. After studying 165 jihadists, Sageman is adamant that terrorists are not born but made. There is no psychological profile of a terrorist and Sageman believes "root causes" such as socioeconomic deprivation are overrated. The most common factor in the making of a terrorist is alienation. Of the jihadists Sageman studied, he found that "a remarkable 78 per cent were cut off from their cultural and social origins". He concludes "this absence of connection is a necessary condition for a network of people to join the global jihad"…
Sageman adds they are not violent psychopaths but "generally idealistic young people seeking dreams of glory fighting for justice and fairness"…
Much better in its analysis that most of the rants you see. The dynamics of that alienation, though not in a form likely to lead to terrorism, are also seen in Alana Valentine’s play.
Oh – and a footnote. I have always thought taking the French path and “outlawing” the hijab in Australia would be really stupid. Fortunately both John Howard and Kevin Rudd have not been tempted.
* Special thanks to Emma Buzo.
See the The Australian Stage review.
[On Alana’s play] …This is a powerful night at theatre and a welcome, bold, essential addition to the culturally homogeneous theatre one can expect to see in some of the larger venues around town. I believe this to be an extraordinarily brave and bold double bill containing four very fine performers. Actors who embrace the challenge of new work, with new perspectives are worth their weight in effusive praise and I feel compelled to mention the spectacular performances by Camilla Ah Kin and Sheridan Harbridge who confront this subject with tenderness, fierceness and great compassion – to the extent that I felt stunned and broken by the time the lights dimmed.